I would like to thank everyone who contributed to making the International Electroacoustic Music Conference (EMS 19) possible, where I had the opportunity to present my research on the loop—its repetitions and aesthetic implications as a compositional resource within the context of experimental electronic music. I am especially grateful to Rodrigo Sigal for the invitation, and to Marc Battier, Pierre Couprie, Leigh Landy, and Daniel Teruggi for their work in organizing the conference.
